Let’s clarify some points on ‘colour grading’. Surely, we all know the ‘HDR look’ of overly processed photos/videos. Many folks like the HDR look if not overly done, but it’s less about look and process than the camera sensor having enough dynamic range to lift some of the details in shadows and recover a bit of the highlights so your imagery doesn’t look super contrasty with blown highlights and crushed blacks that often occurs in scenes with a wide range of exposure values. I would recommend you shoot in the d-cinelike profile, a compression scheme with a wider dynamic range that provides a little more to work with in post. I can see in your footage some of the blacks are a bit crushed, which I’ve seen with several
MM2 videos since its release. In your scenes, you got a bit lucky as the lighting was more even due to the slightly overcast skies typical in the UK. Midday summer in other locales might yield a very contrasty image from the
MM2 that you may not like so much. I noticed that the normal color mode on my
MA2 was quite good compared to normal mode on my
M2P, so DJI has gotten better with their color science, but not sure the normal mode on the
MM2 is as good as normal mode on the
MA2. D-cinelike is very easy to grade in Resolve and it’s just a better compression scheme. Also shoot all of your photos as RAW & JPG bracketed series (AEB) and use Adobe Lightroom for post-processing.