Recent content by bigtobz

if you decide to go with Davinci (which is free) you can edit and colour grade all in one tool. to make the colour work easier I created some DJI specific tools which I sell for a small amount of money on my website. my dji LUTs also work for Adobe Premiere / After Effects. Note that these are...

I have a couple of tools for Davinci Resolve in my little color science webstore. also transforms to correctly transform d-cinelike to any other known colorspace, so that grading tools feel comfortable or look-luts work as expected, although not specially made for d-cinelike. www.salamifish.com/shop

I have some LUTs and plugins(dctls) for Davinci and DJI footage on my website, if anyone is interested in adjusting and matching the color more easily. Products – Salamifish

I'll try to create such a video when I have time. for premiere my technical LUTs will also work. they would be the first colour effect before lumitri will affect the image. so DJI colourspace will transform to logc space. then you apply lumitri and maybe use some film style LUTs. if those luts...

that is great! I think the human vision and how perception works is totally fascinating. When designing colour tools, that is one of my main goals to respect how the eye with its different cones and the visual cortex work ;) Well I have to admit, that these videos are more targeted to other...

that is a common technique to make the grading tools work in a way you want it. if we say we use a tool called "lift" or "blacks" and you use it directly on you iphone video, you will lift everything up and that looks in most cases not very natural. but if you convert the colourspace to a more...

if it works for you go for it ;) My DJI tools are not introducing a kind of look. they bring you technically correct in a known environment where you can easily apply other looks, dedicated for cineon/logc or ACES, so it is streamlines everything for multiple camera projects. I am just young...

Hey guys, I am a professional colourist and colour scientist who is also a owner of a Mavic Pro 2 (formerly Mavic Air, formerly Spark ;)) When grading my own footage I always struggled as the transfer curves and the gamut (the fidelity of the colours) are not really mathematically documented...

Hi, already posted in another thread. I am not only Mavic Pro 2 owner but also professional colourist and colour scientist and I developed mathematical transforms to correctly transform mavic pro2 and mavic air footage to rec709/HDR and also ACES and LogC which are common grading colourspaces...

Hi, already posted in another thread. I am not only Mavic Pro 2 owner but also professional colourist and colour scientist and I developed mathematical transforms to correctly transform mavic pro2 and mavic air footage to rec709/HDR and also ACES and LogC which are common grading colourspaces...

that is because the Mavic Pro 2 has another colourspace. I created mathematical transforms for Davinci Resolve Studio to correctly use this footage as well as Mavic Air DCinelike footage. Also have ACES IDTs and LUTs for Resolve/Premiere. If you want to try it check out my website demos