Hey all, I've owned a Mavic for a couple weeks and haven't gotten to fly it nearly as much as I'd like...but isn't that always the case?
Anywho this is a quick edit of my flight from yesterday (there's no sound or music).
Here's the details: Shot in Cinema 4K 24fps at ISO100 with an ND8 filter to slow the shutter down a ways, D-Log color and Custom (+1/-1/-1) style.
Then in Premiere I applied The Film Poets' D-Log corrective LUT as an input LUT, and tweaked the tone a bit until the highlights and shadows were comfortably not clipping. Next, I applied a free Mavic LUT I found online in the Creative section and dialed it down to 60% intensity for just a bit of color/style.
Rendered the effects in to out, and then linked the project to After Effects where I ran it through Neat Video using The Film Poets' Mavic De-Flicker & Noise Profile presets (ISO 100). The only setting in Neat I changed was adding Edge Smoothing at 50% High, 0% Mid, and 0% Low.
Finally I sent the linked Premiere project from After Effects to Media Encoder and set output format to H.264 .mp4. Matched source on everything except checking High profile instead of Main, and Max Depth at Level 5.2. Bitrate was set to CBR 120Mbps, I checked Use Max Render Quality, and then hit go!
A couple hours later I had a 1.86GB .mp4 on my desktop that I was happy with.
I definitely will be using Neat Video again and I highly recommend the aforementioned presets from the Poets.
Anywho this is a quick edit of my flight from yesterday (there's no sound or music).
Here's the details: Shot in Cinema 4K 24fps at ISO100 with an ND8 filter to slow the shutter down a ways, D-Log color and Custom (+1/-1/-1) style.
Then in Premiere I applied The Film Poets' D-Log corrective LUT as an input LUT, and tweaked the tone a bit until the highlights and shadows were comfortably not clipping. Next, I applied a free Mavic LUT I found online in the Creative section and dialed it down to 60% intensity for just a bit of color/style.
Rendered the effects in to out, and then linked the project to After Effects where I ran it through Neat Video using The Film Poets' Mavic De-Flicker & Noise Profile presets (ISO 100). The only setting in Neat I changed was adding Edge Smoothing at 50% High, 0% Mid, and 0% Low.
Finally I sent the linked Premiere project from After Effects to Media Encoder and set output format to H.264 .mp4. Matched source on everything except checking High profile instead of Main, and Max Depth at Level 5.2. Bitrate was set to CBR 120Mbps, I checked Use Max Render Quality, and then hit go!
A couple hours later I had a 1.86GB .mp4 on my desktop that I was happy with.
I definitely will be using Neat Video again and I highly recommend the aforementioned presets from the Poets.