You're welcome. I posted that video a few minutes ago that was in the screen grabs, if anyone is interested in viewing. This has nothing to do with aerials, but very much to do with HDR. One of my disappointments with shooting and processing...
It should not matter. D-Cinelike is an excellent starting point. I don’t think Resolve will determine D-Cinelike any different than regular D-log. Again you can check the input color and gamma Resolve has assigned to each clip in the media room...
I can help you out. I'm a Dolby certified colorist for television and web. Davinci Resolve is a good choice for your HDR work. I know I addressed this in some posts about a year ago, but here's a quick synopsis. First of all almost all video...