Hi in my opinion (as a colourist) it would be the easiest way to convert it properly into a known grading working colourspace-this way it doesn't matter too much which camera type is the source as long as you convert correctly. All grading...
I built a couple of transforms to convert properly into another grading working colourspace, among that also from DLog-M to Davinci Intermediate: demos
If that works for you that is totally fine. Wouldn't use DJI D-log M to rec709 lut as well. For my transforms it is more like bringing the DLog-M from a technical standpoint from something not defined to something known which makes it easier to...
Hi, as the new drones (after Mavic Pro 2) have a new kind of D-Log M colourspace and this one is different from the known D-Log colourspace, I created transforms, not only to rec709 like in the DJI cube/Luts, but also to HDR and more importantly...
I have a new update on my DJI transforms for DJI DLog M. It has changed since Mavic 2 Pro and seems to be the same for DJIMini4pro, DJI Air3/3s, Mavic 3 Pro, some Osmos and a couple of others. Davinci DJI transform HDR V6