As the title says.
I can only find D-Log to Rec.709 workflows online. The way I always thought about it, was that 'log'-profiles in general store the most dynamic range, even compared to the HLG format.
This video suggests it's possible, but I can't replicate the result in DaVinci. Highlights...
Hi all,
Wonder if anyone could recommend a DLOG to REC2020 or REC2100 (not REC709) LUT that would enable me to have a base colour profile for the Air 2S in 10bit/DLOG mode?
Many Thanks
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