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- Jan 26, 2017
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- Edo State, Nigeria (for the moment)
Hello all
I have posted a JoeTjoep video with some LUT examples
I flew 3 times the same Autipilot Zipline (see previous discussions about Autopilot) and recorded the first in Normal, the second in D-Log and the third in D-Cinelike. The compare is not fully accurate because we’re in the raining season in this part of the world and the clouds and sky changes by the minute (usually ending in torrential rain like this afternoon).
Anyway… the first 40 seconds is just plain footage as mentioned above. The next 40 seconds is the same footage but then with GroundControl LUT’s (free to download) and the next part is the footage with LUT’s and some colour grading. Final bit is the original footage again.
My recommendations are as they always have been… depending on personal taste. I know the painstaking process of colour grading is not for everybody. It is a high-end post production that most of us never done before we flew the Mavic.
I’m making movies and pictures for 38 years and love post productions. Not commercially but as a hobby.
So… if you just want to make great footage for personal use and upload to JoeTjoep, just use the Normal or Cinelike settings for your Mavic. Even that allows you to do post colour grading to tune up your footage. Cinelike is a little more “vivid” but that you can achieve also in colour grading. D-Log is still more if you know what you’re doing.
What is very important is that you try to use a fixed white balance (sunny or cloudy) instead of auto. This keeps your grading a lot simpler.
If you fly (like my footage) from shade into sunshine, it’s better to cut your film and use two different settings for the exposure.
Again… colour correction is a professional job and let’s be honest…. the camera of the Mavic in not exactly an Arri or even an DJI X5S or X5R camera.
And to be very correct, my footage from this morning is on my site and filmed in 4K, processed in 4K with the GroundCentral LUT’s in Coremelt LUTx loader and the standard FCPX Colour Board (Color Grading Central still hasn’t a Color Finale update for OSX 10.12.4). Then re-recorded in 1080P for JoeTjoep and uploaded.
Bottomline… if you know how it works and play a little, no need to spend money on buying commercial LUT’s. You can achieve the same with free LUT’s and some colour correction.
I have posted a JoeTjoep video with some LUT examples
I flew 3 times the same Autipilot Zipline (see previous discussions about Autopilot) and recorded the first in Normal, the second in D-Log and the third in D-Cinelike. The compare is not fully accurate because we’re in the raining season in this part of the world and the clouds and sky changes by the minute (usually ending in torrential rain like this afternoon).
Anyway… the first 40 seconds is just plain footage as mentioned above. The next 40 seconds is the same footage but then with GroundControl LUT’s (free to download) and the next part is the footage with LUT’s and some colour grading. Final bit is the original footage again.
My recommendations are as they always have been… depending on personal taste. I know the painstaking process of colour grading is not for everybody. It is a high-end post production that most of us never done before we flew the Mavic.
I’m making movies and pictures for 38 years and love post productions. Not commercially but as a hobby.
So… if you just want to make great footage for personal use and upload to JoeTjoep, just use the Normal or Cinelike settings for your Mavic. Even that allows you to do post colour grading to tune up your footage. Cinelike is a little more “vivid” but that you can achieve also in colour grading. D-Log is still more if you know what you’re doing.
What is very important is that you try to use a fixed white balance (sunny or cloudy) instead of auto. This keeps your grading a lot simpler.
If you fly (like my footage) from shade into sunshine, it’s better to cut your film and use two different settings for the exposure.
Again… colour correction is a professional job and let’s be honest…. the camera of the Mavic in not exactly an Arri or even an DJI X5S or X5R camera.
And to be very correct, my footage from this morning is on my site and filmed in 4K, processed in 4K with the GroundCentral LUT’s in Coremelt LUTx loader and the standard FCPX Colour Board (Color Grading Central still hasn’t a Color Finale update for OSX 10.12.4). Then re-recorded in 1080P for JoeTjoep and uploaded.
Bottomline… if you know how it works and play a little, no need to spend money on buying commercial LUT’s. You can achieve the same with free LUT’s and some colour correction.
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