Just a quick flight and the use of the 3x lens.
That was shot with mLog (or whatever that abbreviation is) so a the mLog LUT was applied and then a final adjustment was added. The hyperlapse was, of course, images and CC was added to that too. There isn't much that I shoot that I don't do some CC on. Virtually nothing in fact. I really, really like the mLog function and will be using it all the time. I haven't had to try to match mLog to a Normal video as taken with the 7x yet but I think it's going to be easier than the dLog. In Final Cut Pro after applying the LUT and leaving it at 100%, I lightened the mid tones 7% and the dark areas 5% and that was it. No saturation was applied after the mLog LUT. The hyperlapse footage was hit harder. Shadows -9, Midtones -28 for exposure. For saturation the hyperlpase was bumped 49% which might have been a bit much. After shooting stills professionally I learned that most people like (as in they sell better) images that are over saturated to my taste so I do often times add more saturation than I personally think is warranted. I try to stop before I think "that's just ridiculous" but experience tells me that -most- folks will prefer more saturation to less. I have a pro acquaintance that saturates the duck out of most of his images. I mean OMG saturated. People love them.Nice! Any CC or out of the camera?
Thanks for the ed. Have a Super Weekend!That was shot with mLog (or whatever that abbreviation is) so a the mLog LUT was applied and then a final adjustment was added. The hyperlapse was, of course, images and CC was added to that too. There isn't much that I shoot that I don't do some CC on. Virtually nothing in fact. I really, really like the mLog function and will be using it all the time. I haven't had to try to match mLog to a Normal video as taken with the 7x yet but I think it's going to be easier than the dLog. In Final Cut Pro after applying the LUT and leaving it at 100%, I lightened the mid tones 7% and the dark areas 5% and that was it. No saturation was applied after the mLog LUT. The hyperlapse footage was hit harder. Shadows -9, Midtones -28 for exposure. For saturation the hyperlpase was bumped 49% which might have been a bit much. After shooting stills professionally I learned that most people like (as in they sell better) images that are over saturated to my taste so I do often times add more saturation than I personally think is warranted. I try to stop before I think "that's just ridiculous" but experience tells me that -most- folks will prefer more saturation to less. I have a pro acquaintance that saturates the duck out of most of his images. I mean OMG saturated. People love them.
Out of camera. Shot in auto.Nice! Any CC or out of the camera?
Ohhh yes, I've seen those guys and you just have to laugh at them, when they say that.Great video
We have an over-saturated guy here in Seattle too. Swears everything is straight out of the camera