Looking forward to your assessment. I see it as primarily a follow me action drone for the selfie crowd, which is what GOPro had hoped the Karma would be. Alas! Skydio 2 can create compelling cool footage while tracking a fast moving subject in tight spaces, but is certainly not a replacement for an M2P. They complement one another. Outside of a forest and away from tight spaces which make tracking difficult, an M2P will certainly produce better quality video, especially in low light and at night.
13 Stops of HDR and 4K60 could be something to not discount. The only way is to truly compare the results. 1st batch usually has all the problems everyone else later wouldn't have like the S800s crashing all the time, like the antenna issue of the iPhone 4 but I was very first batch and had no problems.. Some people have flyaway issues when drones first came out. A reason why I stayed away from DJI but they have seemed to iron that out completely.
Despite the 4K 60 fps, like the EVO, it's still only a 1/2.3” sensor. The obstacle avoidance cameras will also be useless in the dark. While a follow me action drone would be cool, I don't really have a pressing need for it. The novelty of it would quickly wear off, much like the Dolly Zoom of the M2Z. Similar close shots to obstacles can easily be achieved manually with the M2P, if you know what you are doing.
If you buy the remote, it’s not just a follow me action camera. It becomes a cinematic drone that uses its advanced obstacle avoidance to assist the pilot from not running into challenging subjects. Also, how much night flying does anyone really do? I mean seriously?
Not disputing that there definitely is a market for it, but no one with an M2P will be selling their M2P to "upgrade" to a Skydio 2. Maybe buying an S2 to complement their M2P, much like I consider my M2Z as a complement to my M2P, when I need optical zoom in good lighting. M2P's obstacle avoidance is quite good enough for every day flying of a cinematic drone. Flying at sunset for the golden light often results in returning in the dark, and night flying may not be legal forever for hobbyists, so do it while you still can! City lights at night are beautiful!
When ISO reaches 3200, while recording continuous video, and you have no further exposure compensation available, it is flying in the dark. I often wait until the sun has set to launch, to avoid flying into the glare of the setting sun, and to record spherical panoramas. Gets dark pretty fast over the next 25 minutes! The M2P handles it quite well! Just have to remember to turn the landing lights ON and then OFF, well before landing, to get them out of AUTO, as otherwise the landing lights will turn on and will night blind you, just as you are reaching up to hand catch!
Yeah, nope. Done all that, and it just doesn’t do anything for me. But to each his own.When ISO reaches 3200, while recording continuous video, and you have no further exposure compensation available, it is flying in the dark. I often wait until the sun has set to launch, to avoid flying into the glare of the setting sun, and to record spherical panoramas. Gets dark pretty fast over the next 25 minutes! The M2P handles it quite well! Just have to remember to turn the landing lights ON and then OFF, well before landing, to get them out of AUTO, as otherwise the landing lights will turn on and will night blind you, just as you are reaching up to hand catch!
If I get caught in the dark during a flight doing sunsets and all the sensors on my M2P become useless, I put it in hyperlapse and open the exposure settings to several seconds... viola! Brighter than ever.When ISO reaches 3200, while recording continuous video, and you have no further exposure compensation available, it is flying in the dark. I often wait until the sun has set to launch, to avoid flying into the glare of the setting sun, and to record spherical panoramas. Gets dark pretty fast over the next 25 minutes! The M2P handles it quite well! Just have to remember to turn the landing lights ON and then OFF, well before landing, to get them out of AUTO, as otherwise the landing lights will turn on and will night blind you, just as you are reaching up to hand catch!
I'm still recording continuous video in Auto, and I know my surroundings really well, but your suggestion is an excellent one to force the higher 12,800 ISO of manual still shots for 2 more extra stops on the FPV!
Lol, touche’Wouldn't know that from your avatar!
If Skydio can do this, Then it's got my Vote
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This edit of Dylan Siggers and Matt Dennis is shot entirely on drones, and the insane angles will bend your mind.www.pinkbike.com
I think there is too much attention to the sensor size, hence I labelled the Skydio a "flying action cam" as opposed to the DJI line being more on the "general purpose" side. Not all "pilots" are interested in supreme video quality, not everyone is even wasting terabytes of 4k+ footage, when 1080p is more than enough, not everyone is even doing post-processing but rather performing simple smartphone compositions, not even using the onboard SD (in such case, for instance, the 4k footage is unusable).
