Recent content by Serio

I actually use a colour space transform instead of a LUT typically. Both a CST in Resolve and the official DJI LUT get more or less the same result for me. I'd love to send someone a particular D-Log Mavic 3 clip and see if they could get it right. I'm convinced DJI are doctoring the greens...

I was emailing another Mavic 3 critic the same week I talked to you; also posts on here. And they'd quit Log to shoot Normal, saying it was 10-bit when they shot in ProRes. "I’m currently only shooting in normal colour mode with AWB (although that's 10bit in ProRes on the Cine) because I still...

The Rec.709 is easily the best colour of those three IMO. I've reverted to shooting Normal rather than D-Log on my M3 but there are other trade-offs. The colour accuracy in M3 D-Log is an issue and no LUT or method I've tried has been able to reliably fix it. It's very frustrating.

Still has that green cast IMO, evident in the tree trunks to my eye. As I've emailed with you previous, the green cast is what kills the M3 D-Log for me. I've switched to using Normal colour (which looks great) and suffering 8-bit on recent jobs. Seems 10-bit normal colour is only available on...

I'd agree with that. Having 25/50fps in 7x and tripod-style speed is just so obvious. Any remotely professional early tester would've let them know. Good to know that it's coming though. Can they also make Normal colour mode 10-bit? It is in ProRes/Cine but not on the plain model. I think the...

I know of someone who happened to get out of bed to check something else and noticed one of his batteries had caught fire at 1am. Lucky timing.

Similarly, I have not found the Mavic 3 to be great when recovering highlights. The preview LUT doesn't seem to be an option or work, the zebras don't seem to work in DLog at all, and the histogram doesn't seem reliable either. I've continued to use a Mavic 2 as well, and found the colour there...