Im using a LUT as a starting point. The default DJI one massively oversaturates and boosts contrast so needs to be toned down. Others are better but all LUTs are merely a starting point.
that is because the Mavic Pro 2 has another colourspace. I created mathematical transforms for Davinci Resolve Studio to correctly use this footage as well as Mavic Air DCinelike footage. Also have ACES IDTs and LUTs for Resolve/Premiere. If you want to try it check out my website demos