That is a lot of filters. A long list like that with 7 filters makes me ask if you will truly be swapping and using all those filters.
Are all your filters from PolarPro? I am intrigued you got the CPL. I would never choose CPL until PP explained some things to me. Now i have it. But, I need to really try these filters put to know if I am keeping them all or trying to exchange 1 or 2. I kind of wish I had a ND4 or ND8.
I am very surprised you do not have 32 in there. Since I have learned from here that 64 is for extremely bringht situations like where there is snow. But I know you know what you are doing, so that is all that matters.
I think very soon we all on here need to start trading filters. The ones someone is not using a lot. They put it up for trade. And if someone has what the other is looking for and they are a match, they do a barter trade.
Just wondering. Do you consider yourself a novice at shooting stills or a pro? I am a novice and wanting to learn to improve my picture quality.
All are from Polarpro.
Are you concerned with shooting videos or stills? or possibly panoramic shots?
I am a professional photographer. I currently shoot commercial photography including 360 panoramic shots. My first professional gig was as a naval photographer in 1972 and 1973. I am new to videography but I understand light, light meters, neutral density filters and how to adjust settings based on a given requirement.
As for 7 filters, I want to have everything I might need in my kit for different conditions I might encounter. The ND/PL filters which I listed as optional may or may not be useful, but I want them just in case. I am frugal, that is why I am skipping every other ND filter.
The following only applies to shooting video where you are trying to set the shutter speed at 2 times the frame rate. ND filters for stills get you nothing unless you are trying to intentionally blur moving water, etc. Other than blurring water an ND filter would be a negative for stills.
Video adjustments: as for the ND64 (6 stop reduction), my math shows that even on a bright day (not snow or beach) at EV15 settings at ISO 100 of f22 @ 1/60. This would take a 5 stop reduction using a ND32 to drop to f4.0 or a 6 stop reduction using a ND64 to get to f2.8. I do want to shoot snow scenes on very bright days so I wanted the ND64. If I was not concerned about the snow scenes I would only purchase a ND8 and a ND32.
Keep in mind that as you change your angle relative to the sun the light will drop off. The light would drop to 1 stop at 45 degrees from the sun and almost 2 stops at 90 degrees. So if you never shoot with the sun directly behind you, an ND32 would even work in very bright scenes.
John