That's the first I've ever heard of this phenomenon. Do you have any reliable literature to back it up, and an explanation why it doesn't manifest itself in the very same original files used to make the panorama, nor any other photos taken before or after?That's bleaching /infra-red/degradation (whatever you want to call it) of the lens as you've been pointing directly @ the sun over the period of time you've had it
Yes very good but still did not handle some of my coastal problems where stretches of ocean can’t be joined due to lack of detail.For better control and more projections I use PT GUI Pro ... expensive but very worth not to worry.
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Yeah, of course, there are some computational limitations for areas without any specific patterns to match like ocean, sky, snow, etc., which I think the best software cannot solve without more input from the user. PT GUI (Pro) allows you that whereas Adobe, Microsoft ICE, etc. cannot customise their operations (I use them too, but not with any more complicated pano or wide projection).Yes very good but still did not handle some of my coastal problems where stretches of ocean can’t be joined due to lack of detail.
I'm mistaken thenThat's the first I've ever heard of this phenomenon. Do you have any reliable literature to back it up, and an explanation why it doesn't manifest itself in the very same original files used to make the panorama, nor any other photos taken before or after?
I suspect this has more to do with waves moving between images making stitching difficult.Yes very good but still did not handle some of my coastal problems where stretches of ocean can’t be joined due to lack of detail.
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