My own experience is from sixteen years on the outdoor art circuit in the Eastern half of the country. This was my second career after running another business. It’s not for everyone but my wife and I enjoyed it.As the last 3 posts show, there is some positive experience as well.
What I’m perhaps sensitive to is the general practice of creating truth out of what one has read on the internet. Experience counts for a lot. And, one experiment is worth a thousand internet opinions.
Everybody knows there is no money in stock anymore. That’s a suspect statement, because, actually, some people are making money in stock. A little more fact, a little less opinion.
Was there experience represented in posts 1 through 12? That wasn’t clear to me from comments that seemed to be: OP, you’re asking a bad question.
I’m not familiar with what success looks like on SmugMug, Society6, Redbubble, and Fine Art America. As far as I know those are user-generated content sites for artists to sell direct to consumer, not stock agencies, but again, I could be wrong, I’m not that familiar with them.
What I am most familiar with is buying and selling for advertising and marketing purposes with the agencies that cater to that very profitable market. Which agencies also serve editorial markets. As far as I know, that’s where business gets done, and is where the money is.
My own experience is in 35 years of professional photography, video, sound, and more recently emerging digital media technology like drones, 360 photo/video, VR, etc. I’ve transitioned to college teaching in these subjects, where it’s important that I stay up to date on employment trends so as to best advise students and help steer our curriculum towards their gainful employment.
My info from my experience, from practicing professionals, and from program graduates I speak with very much echos what @JimWest wrote above. The stock media markets aren’t what they used to be. Some people still make money in them. Yesterday’s stock agency isn’t today’s. Building significant income from this source takes time and takes skill. By its nature, it’s more of a side job that can work with some other filming / photo job that you have.
I would never advise a student to choose stock as a job or career. Getting to a family wage income is unlikely in the extreme. For those who are visiting places and doing things with drones (or still/video cameras) who learn the ropes of stock and create excellent imagery? It’s potentially good supplemental income.
What’s your experience been?
In my opinion:
Inspiration is a delicate thing. We should have a care about crushing it.
We’ve been over the river and through the woods in this thread!Looking for references on the best sites to sell drone pictures?
Excellent article. Thanks.I have written a whole piece about this subject in this article: Image Bank Survival Guide
Did you cover your cost? The rental on the tent, $15/hour for your time and the print cost? Going cheap is not always the best policy. But if you covered it all AND paid yourself then you did good...I set up at a local street festival. I bought a booth and ran off a bunch of prints from the local area. Nothing crazy just basic prints 5x7, 8x10, and 16x20. I priced everything modestly nothing more than 20 dollars. I sold every single print I had. The key was keeping it local.
Well Seth, I tried Red B and Society6 and they are not stock but mediums to sell your work, FAA is another way to sell prints but they also offer a half-assed stock sales. but unlike a true stock Co. they don't track you usage by the purchaser... I've sold a fair bit of regular images (prints and things) on FAA and the yearly buy in is cheap ($30) but as is noted all through here you have to do the marketing because no one is going to sell it for you...As the last 3 posts show, there is some positive experience as well.
What I’m perhaps sensitive to is the general practice of creating truth out of what one has read on the internet. Experience counts for a lot. And, one experiment is worth a thousand internet opinions.
Everybody knows there is no money in stock anymore. That’s a suspect statement, because, actually, some people are making money in stock. A little more fact, a little less opinion.
Was there experience represented in posts 1 through 12? That wasn’t clear to me from comments that seemed to be: OP, you’re asking a bad question.
I’m not familiar with what success looks like on SmugMug, Society6, Redbubble, and Fine Art America. As far as I know those are user-generated content sites for artists to sell direct to consumer, not stock agencies, but again, I could be wrong, I’m not that familiar with them.
What I am most familiar with is buying and selling for advertising and marketing purposes with the agencies that cater to that very profitable market. Which agencies also serve editorial markets. As far as I know, that’s where business gets done, and is where the money is.
My own experience is in 35 years of professional photography, video, sound, and more recently emerging digital media technology like drones, 360 photo/video, VR, etc. I’ve transitioned to college teaching in these subjects, where it’s important that I stay up to date on employment trends so as to best advise students and help steer our curriculum towards their gainful employment.
My info from my experience, from practicing professionals, and from program graduates I speak with very much echos what @JimWest wrote above. The stock media markets aren’t what they used to be. Some people still make money in them. Yesterday’s stock agency isn’t today’s. Building significant income from this source takes time and takes skill. By its nature, it’s more of a side job that can work with some other filming / photo job that you have.
I would never advise a student to choose stock as a job or career. Getting to a family wage income is unlikely in the extreme. For those who are visiting places and doing things with drones (or still/video cameras) who learn the ropes of stock and create excellent imagery? It’s potentially good supplemental income.
What’s your experience been?
In my opinion:
Inspiration is a delicate thing. We should have a care about crushing it.
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