Never had this with my Spark, MPP or M2P with PolarPro.I’ve used Tiffen as well as Polar Pro. I like the Tiffen filters more as they dont give off a grainy texture when filming which was the issue I had with Polar Pro. Tiffen filters feel really good and well built.
You might have missed an active thread- Gotta pick 3 Polarpro ND filters...which ones??
Your question as asked suggestedND strength to be your area of interest (brand might be a secondary consideration). To the extent that is true you might get your answer from the other thread. Are you more curious about which brand?My Bad. Did a quick search but did not come up with that.
thanks for the Tip anyway.
It's for a Mavic Pro btw. So Tiffen Filters are not an option
Your question as asked suggestedND strength to be your area of interest (brand might be a secondary consideration). To the extent that is true you might get your answer from the other thread. Are you more curious about which brand?
I don't know anything about sandmark.3 Things To Know Before Buying Mavic Pro Filters - ND & PL
The most important things to look for when buying filters for the DJI Mavic. Why & how to use filters for the best Mavic footage possible.www.gettingstamped.com
In this article, The guy comments on the 3 Filters he uses, would choose to have.
And goes on to say he finds a PL filter is better the majority of the time.
Most interesting was the notion that ND/PL filter combos can be orientated to lose the PL effect?
If true, The 6 ND/PL filter set they offer here would be perfect for me.
I think choosing only 3 has to come from personal experience, so which 6 should be the new thread title.
Are SANDMARC a reputable brand/As good as PolarPro? (I would research this before checkout but would be good to know straight off the bat)
I'm actually not crazy about the Gold used with the PolarPro Cinema filters, so this set seemed attractive.
Pro Plus Filters - DJI Mavic
SANDMARC Pro Plus Filter: PL, ND4/PL, ND8/PL, ND16/PL, ND32/PL, & ND64/PL Filterswww.sandmarc.com
What you may have missed is that unless the sun is directly above you the polarising effect varies when you rotate the drone. You need to set the angle of rotation on the ground and avoid any significant yaw for each take or you will end up with an effect that to most people will seem unnatural and can’t be corrected in post.FYI: This is for a M1P
I imagine if there is a small mark on the filter or camera, the PL effect could be introduced or eliminated
with some practice?
It's just that with PolarPro, To obtain a set of Standard AND Polarising filters ND4 through 64 you have to buy some
epic 12 filter pack that is very expensive.
interesting comparison
Failing all else, are these filters decent enough. SunnyFire?
Lens Filters Gimbal Camera ND4/8/16/32+CPL+MCUV Accessori For DJI MAVIC PRO 6 HD | eBay
Find many great new & used options and get the best deals for Lens Filters Gimbal Camera ND4/8/16/32+CPL+MCUV Accessori For DJI MAVIC PRO 6 HD at the best online prices at eBay!www.ebay.com.au
Never had this with my Spark, MPP or M2P with PolarPro.
If I could only have 3 ND filters I would get the 8, 16, and 32, but get a 4 pack of Cinema Series from PolarPro and get a hard case with them. A 4 is useful at sundown/sun up.
The most likely explanation for grainy footage may have been under exposure or high ISO. No polar pro filter I have used or seen could be that bad optically.I’ve used Tiffen as well as Polar Pro. I like the Tiffen filters more as they dont give off a grainy texture when filming which was the issue I had with Polar Pro. Tiffen filters feel really good and well built.
The most likely explanation for grainy footage may have been under exposure or high ISO. No polar pro filter I have used or seen could be that bad optically.
Use manual settings, make ISO 100, set your frame rate (I like 30-60). The correct withyour filters. The control image is what follow. Takes several tries to get a feel for it. I am not a pro.The most likely explanation for grainy footage may have been under exposure or high ISO. No polar pro filter I have used or seen could be that bad optically.
This isn’t a case of, or at least shouldn’t be a problem requiring, several tries to get right. Simply work backwards from whatever the metered exposure is without filters to determine the number of stops required to arrive at roughly twice the exposure that is double the desired frame rate. In your case shooting at 60 FPS and an indicated shutter speed of 1/500s you would need 2 stops (ND4) to get you back to 1/125s. It’s very straight forward.Use manual settings, make ISO 100, set your frame rate (I like 30-60). The correct withyour filters. The control image is what follow. Takes several tries to get a feel for it. I am not a pro.
Thanks!This isn’t a case of, or at least shouldn’t be a problem requiring, several tries to get right. Simply work backwards from whatever the metered exposure is without filters to determine the number of stops required to arrive at roughly twice the exposure that is double the desired frame rate. In your case shooting at 60 FPS and an indicated shutter speed of 1/500s you would need 2 stops (ND4) to get you back to 1/125s. It’s very straight forward.
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