Mrktn
Well-Known Member
DittoI would say your observation is probably pretty accurate. I have noticed that too.
Chris
DittoI would say your observation is probably pretty accurate. I have noticed that too.
Chris
3:2 is better for most of my work. All my medium format commercial work gets cropped to 3:2 anyway.Thanks for the link. 3:2 ratio?? This is not good. The 28mm is already a drawback for me and now 3:2 ratio which crops top and bottom of the frame and further narrows the vertical field of view. Why would they do that? Maybe the extreme corners of the 28mm lens are not sharp enough?? For architectural shooters the full 4:3 ratio would at least capture more vertically, given the already narrower field of view from the 28mm lens, and allow us to crop the sky to get the desired perspective of the building.
With the 1in, APS-C and FF sensors all using a 3:2 aspect ratio it's what I'm used to for photography for a while now.3:2 is better for most of my work. All my medium format commercial work gets cropped to 3:2 anyway.
I am, like you used to work with FF DSLR cameras which all have 3:2 aspect ratio sensor. But I have options to put on my FF 17mm lens or 24 or 50 or whatever. From ultrawide angle to tele if I want. My point with this M4P 3:2 sensor is that with 4:3 ratio I'd have choice which area to crop to get to 3:2 if that is what I want as my output format. I can keep all the bottom part and only crop the top or keep all the top and crop from bottom. And then there are situations when I want the more squarish format when the subject requires it and that is when 4:3 comes handy and I can use the full realestate of the sensor without cropping.With the 1in, APS-C and FF sensors all using a 3:2 aspect ratio it's what I'm used to for photography for a while now.
That is correct.Sounds like it's clearcut this isn't the drone for you then.
For typicl video shooters, maybe. Abandoning ProRes in favor of the All I codec may be a detriment to pro video shooters. The jury is still out on that one.To me it inceasingly looks like DJI has shifted its focus firmly on video
It is hard to please everyone, I suppose. But some of the choices DJI has made with the M4P are a bit of a head scratchers. One of the big attraction for video shooters was implementation of the eND filter but that is yet to come. Leaving ProRes out is certainly puzzling and I can imagine that many pro video shooters are scratching their heads over that decision. The spinning gimbal enabling vertical shots video and stills( though with very limited tilt movement) is incedible piece of engineering no doubt but apart from the vertical camera position it is a one-trick pony. Does anyone really needs 6K video for insta? Anyway, it is what it is. It will no doubt get better overtime with eND and maybe ProRes will come back via FW update but the 3:2 sensor and 28 mm is here to stay and that is what might be a dealbreaker for some..For typicl video shooters, maybe. Abandoning ProRes in favor of the All I codec may be a detriment to pro video shooters. The jury is still out on that one.
It sounds like a terrible drone to read all the negative posts you've made.It is hard to please everyone, I suppose. But some of the choices DJI has made with the M4P are a bit of a head scratchers. One of the big attraction for video shooters was implementation of the eND filter but that is yet to come. Leaving ProRes out is certainly puzzling and I can imagine that many pro video shooters are scratching their heads over that decision. The spinning gimbal enabling vertical shots video and stills( though with very limited tilt movement) is incedible piece of engineering no doubt but apart from the vertical camera position it is a one-trick pony. Does anyone really needs 6K video for insta? Anyway, it is what it is. It will no doubt get better overtime with eND and maybe ProRes will come back via FW update but the 3:2 sensor and 28 mm is here to stay and that is what might be a dealbreaker for some..
Haha nice sarcasm.It sounds like a terrible drone to read all the negative posts you've made.
It's a good thing you didn't buy such a disaster.
I wasn't deceived.Calling DJI out for not disclosing important info about the sensor size and shape is not a crime, is it? You obviously do not mind being mislead or deceived.
I've just taken mine for a test flight and it flies wonderfully and the test images look like the two tele cameras are significantly improved.I never said that this drone was a disaster. It has many well documented amazing features which many people will no doubt appreciate and enjoy. For my line of work many of the new features are not important and those which are have not met my expectations. Your needs may differ and if this drone meets your needs I am perfectly fine with that.
Can you post some comparison photos from your Mavic 3 Pro and Mavic 4 Pro from those two cameras and even the main wide angle camera.I've just taken mine for a test flight and it flies wonderfully and the test images look like the two tele cameras are significantly improved.
I'll try for some proper same subject, same time comparison shots.Can you post some comparison photos from your Mavic 3 Pro and Mavic 4 Pro from those two cameras and even the main wide angle camera.
Meanwhile here are a few test images I shotCan you post some comparison photos from your Mavic 3 Pro and Mavic 4 Pro from those two cameras and even the main wide angle camera.
I am glad to hear you are happy with it.I wasn't deceived.
I knew the main camera's aspect ratio was 3:2 because I read the specs.
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As for the sensor size and shape, I couldn't care if it was a hexagon and the change from 24mm equivalent to 28 mm is trivial
I've just taken mine for a test flight and it flies wonderfully and the test images look like the two tele cameras are significantly improved.
I think it's going to be fantastic for my work.
The extra speed will be a real plus.
The only little niggle I picked up was that I wasn't able to catch it and had to land on the ground.
I'll have to investigate that further.
This is the spec sheet for M4P. Where does it say that the main camera sensor is cropped M43 to 3:2 ratio?? You only worked it out from the pixel count.I wasn't deceived.
I knew the main camera's aspect ratio was 3:2 because I read the specs.
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As for the sensor size and shape, I couldn't care if it was a hexagon and the change from 24mm equivalent to 28 mm is trivial
I've just taken mine for a test flight and it flies wonderfully and the test images look like the two tele cameras are significantly improved.
I think it's going to be fantastic for my work.
The extra speed will be a real plus.
The only little niggle I picked up was that I wasn't able to catch it and had to land on the ground.
I'll have to investigate that further.
Yes, the pixel count shows that the aspect ratio is 3:2.This is the spec sheet for M4P. Where does it say that the main camera sensor is cropped M43 to 3:2 ratio?? You only worked it out from the pixel count.
DJI kept saying all along that the main camera of this drone has M43 100MP sensor. M43 sensor is a sensor with aspect ratio 4:3 and dimension 17.3 x 13mm. Such is the 20 MP sensor in M3P which shoots 4:3 aspect ratio photos.Yes, the pixel count shows that the aspect ratio is 3:2.
The same aspect ratio as the SLR and Phantom 4 pro which I've used for many years.
The specs don't say that it's cropped.
That's something that you've guessed at.
But for my work, none of that matters.
What I care about is .. do the cameras give good rendering of detail, is the exposure good etc.
I can't recall DJI ever saying that the main camera sensor would have an aspect ratio 4:3 and dimension 17.3 x 13mm.DJI kept saying all along that the main camera of this drone has M43 100MP sensor. M43 sensor is a sensor with aspect ratio 4:3 and dimension 17.3 x 13mm.
The specs don't say anything about sensor dimensions.The sensor in this drone however shoots 3:2 so the dimension is likely 17.3 x 11.5mm. I get it that this small difference in vertical dimension does not matter to you but strictly speaking it is a deceptive info on the spec sheet.
Perhaps you should read post #14 again.In all advertising material associated with releasing of this new drone it says M43 sensor. I do believe that it should have been clearly stipulated that this is 3:2 sensor derived from M43.
I do not know if you are aware of a sensor size convenction. FF is 3:2 36x24mm, M43 is 4:3 17.3x13mm 1" is 3:2 13.2x8.8mm etc..DJI has adhered to this convenction up until this M4P main camera sensor. On all marketing material they have published they state that the main Hassy camera has indeed the M43 sensor. But in reality it does not have M43 in true sense of the broadly accepted definition of such sensor because it is not 4:3 but 3:2. And they did not say it clearly anywhere. That is my point. Again this might not matter to you but the fact remains that DJI did not declare that this camera does not have M43 17.3x13mm sensor but only cropped down version of it. And that is in my book a deceptive conduct.I can't recall DJI ever saying that the main camera sensor would have an aspect ratio 4:3 and dimension 17.3 x 13mm.
DJI rarely if ever give out sensor dimensions.
Are you sure you got that info from DJI?
The specs don't say anything about sensor dimensions.
DJI has never given sensor dimensions in their specs.
Perhaps you should read post #14 again.
Does that help to explain the situation?
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