I've done a lot of work with various types of cameras. I want to bring what I've learned to this thread. Disclosure, I have not used the mavic pro..though I do have one on order.
First I'd like to address dlog-
The mavic pro is an 8 bit camera, typically you need at least a 10bit signal with a 4.2.2 color profile to get usable results from color correction and grading. An 8 bit signal just falls apart when you push it in post, simply stated, there is not enough information to begin with. So far, I've not seen great results from using dlog on any 8bit footage.
I also read a thread where the user stated that one needed to shoot on a gray, or muted day in order to get good results. It is my opinion that nothing could be further from the truth. If the information isn't there to begin with, then you cannot adequately add it in later. The reason dlog footage looks washed out, is because the signal is "flattened" so you have latitude for creative expression, the information is all there, it is just waiting to be brought out per your preferences.
Re shooting 4K - my opinion is that 50mbps is just too little amount of data to get usable 4K footage, perhaps it will look okay on small displays or when scaled to 1080, but on its own, it will fall apart on a big screen at native resolution. The only real advantage I see would be the ability to crop, track and compose.
First I'd like to address dlog-
The mavic pro is an 8 bit camera, typically you need at least a 10bit signal with a 4.2.2 color profile to get usable results from color correction and grading. An 8 bit signal just falls apart when you push it in post, simply stated, there is not enough information to begin with. So far, I've not seen great results from using dlog on any 8bit footage.
I also read a thread where the user stated that one needed to shoot on a gray, or muted day in order to get good results. It is my opinion that nothing could be further from the truth. If the information isn't there to begin with, then you cannot adequately add it in later. The reason dlog footage looks washed out, is because the signal is "flattened" so you have latitude for creative expression, the information is all there, it is just waiting to be brought out per your preferences.
Re shooting 4K - my opinion is that 50mbps is just too little amount of data to get usable 4K footage, perhaps it will look okay on small displays or when scaled to 1080, but on its own, it will fall apart on a big screen at native resolution. The only real advantage I see would be the ability to crop, track and compose.