- Joined
- Apr 7, 2018
- Messages
- 195
- Reactions
- 49
- Age
- 54
But unfortunately, even with my camera settings to sunny(on a cloudy day), and a Polar Pro ND16-PL filter, my whites were so blown out, that I was unable to correct them even in post production using Premiere Pro, and Adobe After Effects. If anyone knows any tricks to making D-log work, I'd love to hear them, as the color in D-log is pretty good after post pro. Thank you in advance.
P.S. Forgot to mention, of course my ISO is on 100.
P.S. Forgot to mention, of course my ISO is on 100.
Last edited: