The higher prices also have to factor in profit margins…
Agreed, and those would be huge profit margins!
Fully understandable to take advantage of additional profits due to position in market.
If you hold a company that has the majority of a "nitch" market... something the sUAV Consumer/Prosumer was for many years, routinely introduces new technologies... some risk product, and maintains a high reputation of stable & reliable products. Capturing what the market will bear is good business... and DJI has done well on that measure.
Last several years, those profits demanded to be at a higher bar.
But that said... some have been extremely high price that now aren't as justified. Others continue to be high priced not due to the technology but the closed proprietary design. As a prime example: The CineSSD cards & Readers. Demanding $1600 for a 980GB Samsung NVMe housed in a proprietary case with a "chip" to prevent NVMe card replacement and to require interface with proprietary Reader when a standard USB 3.1 or Thunderbolt Reader could easily be used and that provides higher performance extraction speeds. A Samsung 970 / 980 1TB retail price is way below $300 Retail price of 1 quantity. The price of Lightbridge 2 Radio ($850),
A3 Pro Control module ($2200), etc are extremely over priced for older technology no longer utilized in newer platforms.
The justification of higher bar profits than competition in market is getting more challenged. If Autel can produce a Kit with a similar exceptional craft and provide mulitple payloads, attachment options (RTK, Light, Speaker, etc) that provides greater flexibility at a lower cost. The Brand loyalty Buyer will begin to question worth.
The
M3P is a exceptional craft... but it's limited in flexibility and options at a higher cost compared to competition... including previous model the
M2P. The MFT sensor focused on Cinematography is lacking without additional lens options and the embedded CineSSD for ProRes is limiting... if not swappable to allow flights to continue it's limiting and won't meet several situations that request ProRes, the lack of CinimaDNG also limits the platform compared to the current standard: the
Inspire 2. Not to mention the S35/FullFrame X7 payload now more common on cinematography environments. I don't see the
M3P Cine replacing the
Inspire 2, thus it's primary focus as Cinematography is questionable. It's more of a
M2P replacement, which I feel is over cost.