For me the curiosity of what they'd come up with next was intriguing. For me, my biggest gripe with DJI drones has been their geofencing scheme. This should not exist in a professional level drone. While the
M2P is not on the same level as the Inspire (does Inspire have geofencing too???) the most frustrating thing I've experienced has been, on paid gigs, to have to deal with geofencing issues prior to the job, often initially without full success of unlocking.
Obviously if someone has got some volume business the cost isn't so terrible as it's a write off and the business
should cover the extra expense. But there are other considerations too. Crash/loss insurance. Look at what DJI charges for their FPV both on the front end and with replacement. Will they cover loss too with the
M3? We all know it's not if but when and how bad... and how much$...
... And how much better will the images be? Ok, if you're shooting for Cecil B. it's probably a great investment if you can't afford a giant platform with a Red attached. If you're shooting for a 4k corporate video, is it going to give you that much of an advantage? Ok... so it's got a zoom lens on it. I think I would be more inclined to get an
Air2s if the EVO3 is too expensive, or that. Again, my biggest fear with DJI is it's ability to "brick" one's drone at the most inopportune time. It doesn't matter if you're going to fly 5 feet off the ground in your back yard, but if you're in one of those odd NFZ's it's just an unnecessary hassle that no other drone company bothers with.
Will DJI keep the M2's in production? There seems to be a huge jump between the
Air2s and the
M3. But if I could ignore the geofencing I might be more inclined to go with an
Air2s rather than an
M3. The pictures I've seen from that drone are stunning and the only thing it lacks IMO is variable aperture.
About Pro-rez... Yeah, there is a huge space penalty that I'm sure drives up the cost to have an onboard chip to record to, that would probably up the price about $1500 alone. But if Pro-rez is desired or required, files can be easily converted to Pro-Rez with a program such as Shutter Encoder. Also... Other than the big three: Final Cut, Premier and Davinci, will the other budget NLE's be able to deal with Pro-Rez encoded files?