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Or you can just slide the color temperature up a little in the raw processor, depending on what you're using to open and tweak the raw before bringing it into something like Photoshop.You can see the additional noise in the JPG image; that's the primary difference I noticed in the non adjusted images, a bit less noise is apparent in the RAW versions of my images. Color balance is decidedly cool in RAW images though (if anyone has a LUT to correct this, let me know). But, as has been noted, RAW is much better to recover image details typically.
Great shot, btw Dale!
Also if you're shooting with white balance set to Auto in the camera setting of the drone, a LUT isn't really going to help you if the source keeps having unpredictable/variable input colors (though I understand you would just apply as needed).
Far as noise, it's actually more typical that when viewing non-adjusted, the Raw file will have more noise, as the jpeg will have already went thru some noise reduction on the camera's chip when being processed into a jpeg (which also includes some color bumps etc, whatever the manufacture deemed to be more pleasant to consumers).
It's possible, that if you're looking at a comparison between two ISO 100 shots, that what you're observing is not actually noise, but the chunkiness I witnessed a lot more on the original Mini's jpeg where detail was lost due to over-processing noise reduction. I notice in the jpeg of the Mini 2 (Which I don't use often), even at the lowest ISO, there is an appearance of more detail, but it looks like a trick I used to do a lot when cleaning noisy video footage, basically the aggressive noise reduction would leave the frame smoother without much detail in the non-edge areas. The trick was to sharpen the edge slightly, and then throw a grain overlay (either as a gentler gaussian noise pattern of non-color pixels only, or slap on a real 4K film grain scan), that would bring texture back to the image making it appear natural and crisp, but at the same time introduced a subtle-but-pleasing grain appearance (as opposed to the chunky bleedy digital noise appearance).
For example the shot Tom showed the Jpeg is clearly much more detailed, and has that very slight grain texture in areas of no details. The DNG image is waaaaaay too soft and should not be softer than the Jpeg like that, it should deliver same level of detail but without compression artifacts or banding. So for that side by side example, that's the fault of how it was processed after (possibly just a straight DNG to Jpeg conversion with no tuning).