I purchased the Poet's LUTs about 2 months ago. I have tried numerous times with various LUTs to color grade the M2P footage shot in 4K D-log but so far, the colors are terrible. All I get are weird yellows and reds and warm colors. I have tried all of the LUT's on my footage and I usually wind up deleting them and going back to my regular grading with Premiere Pro. I definitely do not know how to use them.So I got the Mavic 3 and shot in DLOG H.265 4k30 and used the film poet LUTs and love the results, does anyone else have these luts?
Confused by your post. Could you explain Rec709.I use the Mavic Pro D-Log to Rec709 for most of my footage. My trick is to enter the LUT in the Creative tab in Lumetri Color, and hit auto in the Basic Correction tab after... then work around that as a base. You can adjust the intensity, etc to get the look you're going for in Adobe Premiere.
Sorry, I can see where that may have been confusing. It's just a variant I came across (and can no longer remember where I found it) of the original DJI Lut.Confused by your post. Could you explain Rec709.
I have uploaded the Poet LUTs in the uploads folder and have to go there to use them. I'm not really good with Lumetri color wheels.
OK- thanks for the rapid reply. I'll search around for it next time I am editing.Sorry, I can see where that may have been confusing. It's just a variant I came across (and can no longer remember where I found it) of the original DJI Lut.
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It is the appropriate base LUT to use for Mavic D-Log footage to Rec.709.
Explanation of Rec.709 on wikipedia: Rec. 709 - Wikipedia
it was cloudy and everything is dying here since winter is around, as to the orange trees that was the only thing with color.I purchased the Poet's LUTs about 2 months ago. I have tried numerous times with various LUTs to color grade the M2P footage shot in 4K D-log but so far, the colors are terrible. All I get are weird yellows and reds and warm colors. I have tried all of the LUT's on my footage and I usually wind up deleting them and going back to my regular grading with Premiere Pro. I definitely do not know how to use them.
As far as your footage, I am definitely not impressed. Sorry to say, but those orange trees and washed out colors are flat looking with no zip or any semblance of reality. Just my honest opinion.
Dale
Miami
i shot in normal mode.
That looks sweet, looks natural and not all over saturated with colour.i shot in normal mode.
Yes I must say I agree, normal looks spectacular. Hard to imagine colour grading in D-Log will produce superior results.The normal mode from the M3 is really good.
Why I always fly with a histogram up. and will adjust the EV to compensate. You can not catch anything that is not on the sensor. Right?From D-Log you can recover well from shadows. When I record in D-Log I always record in +.07 Exposure.
Little over but not too much to lose data. Then I color grade back to the correct exposure.
Normal just looks great IMH.
Yes I must say I agree, normal looks spectacular. Hard to imagine colour grading in D-Log will produce superior results.
I used to make the mistake of not flying with the histogram, lost lots of footage due to being over exposed. Learning to trust the histogram took time, but now I won’t fly without it. As for pro res, it’s pointless for anyone who presents their work on YouTube. Id pretty much say the same for D-Log. The overwhelming majority of people watch a drone video on a tablet, most people don’t spend their leisure time sitting behind a desk. So using D-Log and spending a lot of time colour grading is something only you yourself are going to appreciate. D-Log is more about pride then anything else.Why I always fly with a histogram up. and will adjust the EV to compensate. You can not catch anything that is not on the sensor. Right?
it is very very good. I had the same thought as well. But if You are going for a different look or you want to pull in the shadows, etc. it's much easier to use DLOG. Also, if you view color correction as an art, it's a blank canvas!
you can bring up your video editors color scopes and see that the normal footage will press up against the highs and lows of the color space. so you are losing "something". But honestly if you'd like that look and you're not a professional, or a perfectionist, it's really really good. Same goes for shooting 4:2:2 more data better detail... but it is subtle.
100,000 views and I bet 80+% of them watch it at 1080P or less. Most people watch things on their phone or tablet. Most of this fuss over color grading and 5K HD just goes to waste. It is no surprise to me.I’ve received about 100 000 views for all my drone videos combined, not once as anyone ever commented about colour grading or anything of that nature. I know that’s not what you want to hear
That’s just my two cents.