possenorge
Member
- Joined
- Jun 12, 2017
- Messages
- 23
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- 29
- Age
- 38
I wish JamesM was still around in this thread, it has been an entertaining half hour of reading.
My best guess is that James, if you're out there buddy, got cold feet after ordering a Mavic and then learning about its limitations. To shift that creeping doubt-y feeling of making a bad decision (I know that feeling) away from himself he took it out on existing owners, to share the guilt with the rest of us with quotes from some YouTube videos he's been watching. Oh well, he has probably moved on to greener fields now.
Footage is of course, as many has stated out, not all about bits and bandwidth, but how you utilize your gear to compensate for its pros and cons. In TV we've used generations of GoPro with all their limitations for many years and it's all about planning the capture and processing it properly in post. Meaning, getting the most out of what we have rather than being too concerned about a small camera having limitations. 'Cause a GoPro will fit where your bulky F55 won't, and the Mavic will go with you in the backpack where the Inspire or even Phantom had to be left behind.
I've had some 90 flights with my Mavic during the last 3 months to supply some extra production value to different TV productions - and the results absolutely holds up. My Mavic shots, (when I took a lot of effort to make the most of what I've got), mixes with footage from Sony F55, Arri Amira, FS7, and C300 mkII at 1080. Meaning that the 8 bit D-log has to stand up to S-log3, Arrilog and C-log. When the final product is graded to a natural look that doesn't stray way off natural colors, the Mavic footage will in most cases and with decent onliner not "fall apart". Only issue I've had is that DJI footage is very sharpened and throws some trouble when used in broadcast, but I made another post on how we fix that.
Kind regards,
The Expert
I've also played Microsoft Flight Simulator a lot and I've got a fork lift certificate, so that will be SIR Expert to you people, I beg your pardon!
My best guess is that James, if you're out there buddy, got cold feet after ordering a Mavic and then learning about its limitations. To shift that creeping doubt-y feeling of making a bad decision (I know that feeling) away from himself he took it out on existing owners, to share the guilt with the rest of us with quotes from some YouTube videos he's been watching. Oh well, he has probably moved on to greener fields now.
Footage is of course, as many has stated out, not all about bits and bandwidth, but how you utilize your gear to compensate for its pros and cons. In TV we've used generations of GoPro with all their limitations for many years and it's all about planning the capture and processing it properly in post. Meaning, getting the most out of what we have rather than being too concerned about a small camera having limitations. 'Cause a GoPro will fit where your bulky F55 won't, and the Mavic will go with you in the backpack where the Inspire or even Phantom had to be left behind.
I've had some 90 flights with my Mavic during the last 3 months to supply some extra production value to different TV productions - and the results absolutely holds up. My Mavic shots, (when I took a lot of effort to make the most of what I've got), mixes with footage from Sony F55, Arri Amira, FS7, and C300 mkII at 1080. Meaning that the 8 bit D-log has to stand up to S-log3, Arrilog and C-log. When the final product is graded to a natural look that doesn't stray way off natural colors, the Mavic footage will in most cases and with decent onliner not "fall apart". Only issue I've had is that DJI footage is very sharpened and throws some trouble when used in broadcast, but I made another post on how we fix that.
Kind regards,
The Expert
I've also played Microsoft Flight Simulator a lot and I've got a fork lift certificate, so that will be SIR Expert to you people, I beg your pardon!