Alvis64
Member
- Joined
- Aug 27, 2018
- Messages
- 7
- Reactions
- 13
- Age
- 60
I've been a professional videographer since 1987. I shoot primarily for TV ad production. I've bucked 30lb. video cameras around on my shoulder with a ten pound battery pack on my belt and thought "wow, can't believe how compact these cameras are getting." Needless to say, the generation of aerial cameras that has been introduced in the last 3-5 years leave my mouth hanging open most of the time. I've been shooting with a Phantom 2 with a GoPro Silver mounted to the Zenmuse Gimbal for the last couple of years when I need aerial shots in my spots (and give the GoPro its due...1080p, 30fps, nice color depth...for something the size of a deck of playing cards that really barely qualifies as being a camera...wow. It definitely delivers when I need a 4 second dramatic flyover of a car dealership).
I'm currently waiting on my Pro2 Zoom (supposed to be here by the 5th). I am VERY excited about getting to use an actual optical zoom in the air. Yes, you can zoom hi-res video in post...but you can NOT get the sensation of zooming that comes from being in a 3D space. You can also zoom still pictures in post. Same problem trying to get that "zoom" feeling. Video, once it has been captured, is flat...2D...you can't go "into" it the way you can go "into" a scene in front of the camera. The camera generates unique and subtle warping to the top and sides of the video frame that can only be generated most effectively in a 3D space through zooming or dolly movements. Elements within the frame will move independently of the background based on their distance from the camera lens. None of those depth of field elements can be re-created in a 2D post zoom.
I have, so far, watched more than three hours of Mavic2-Zoom footage (thanks to all of the reviewers who've gotten this thing out an up in the air!!). This is the camera, with the functionality, that I'm needing. Yes, a 10bit color profile will deliver a billion colors...but the Vizio or Insignia Flatscreen from Wal-mart that most people will see my stuff on is still only capable of 16million colors (and, depending on your cable company or your TV or cable network, it's probably not even being delivered at 8bit.) Since most of what I do these days is being delivered as pre-roll in front of a YouTube or news video, there is even less emphasis on color depth.
If I were shooting for portraits, artistic prints, etc...yeah, I'd want to go with the good glass and the bigger sensor in the Hassie. But, for exciting aerial footage, I've put my money on the Zoom.
I'm currently waiting on my Pro2 Zoom (supposed to be here by the 5th). I am VERY excited about getting to use an actual optical zoom in the air. Yes, you can zoom hi-res video in post...but you can NOT get the sensation of zooming that comes from being in a 3D space. You can also zoom still pictures in post. Same problem trying to get that "zoom" feeling. Video, once it has been captured, is flat...2D...you can't go "into" it the way you can go "into" a scene in front of the camera. The camera generates unique and subtle warping to the top and sides of the video frame that can only be generated most effectively in a 3D space through zooming or dolly movements. Elements within the frame will move independently of the background based on their distance from the camera lens. None of those depth of field elements can be re-created in a 2D post zoom.
I have, so far, watched more than three hours of Mavic2-Zoom footage (thanks to all of the reviewers who've gotten this thing out an up in the air!!). This is the camera, with the functionality, that I'm needing. Yes, a 10bit color profile will deliver a billion colors...but the Vizio or Insignia Flatscreen from Wal-mart that most people will see my stuff on is still only capable of 16million colors (and, depending on your cable company or your TV or cable network, it's probably not even being delivered at 8bit.) Since most of what I do these days is being delivered as pre-roll in front of a YouTube or news video, there is even less emphasis on color depth.
If I were shooting for portraits, artistic prints, etc...yeah, I'd want to go with the good glass and the bigger sensor in the Hassie. But, for exciting aerial footage, I've put my money on the Zoom.