The Cine version comes with an impressive assortment of ND filters all the way up to 512. As someone who does a bunch of hyperlapse where your shutter can be open for 1/2 second, this is great! But I can't believe DJI was thinking only about hyperlapse when they decided to give us a 64, 128, 256 and 512 ND.
I also see posts from people complaining that you cannot shoot DLOG at ISO 100 or 200. On the Inspire 2, they locked ISO to the native ISO when shooting in EI mode. Reason being is that ISO doesn't really change the actual sensitivity of the sensor. It just adds/subtracts gain. As such, the native ISO ought to provide the cleanest and widest dynamic range.
DJI has historically not implemented ISO gain terribly well. There ought to be an advantage to shoot at native ISO where possible, DLOG or not. Unfortunately, DJI has not yet provided any information regarding native ISO that I am aware of.
Attaching an ISO chart from the Sigma fp which is a full-frame sensor dual-native ISO of 800 and 3200.
I also see posts from people complaining that you cannot shoot DLOG at ISO 100 or 200. On the Inspire 2, they locked ISO to the native ISO when shooting in EI mode. Reason being is that ISO doesn't really change the actual sensitivity of the sensor. It just adds/subtracts gain. As such, the native ISO ought to provide the cleanest and widest dynamic range.
DJI has historically not implemented ISO gain terribly well. There ought to be an advantage to shoot at native ISO where possible, DLOG or not. Unfortunately, DJI has not yet provided any information regarding native ISO that I am aware of.
Attaching an ISO chart from the Sigma fp which is a full-frame sensor dual-native ISO of 800 and 3200.