Interesting.
These guys are suggesting that the very best footage can be obtained by shooting in d-log with settings of minus 3 across the board at 2.7k. This information comes (apparently) via the pro shooters working for DJI. They're suggesting that 4k is not optimum for the sensor.
I've been using Cine at -2,-2,0 @ 4k. Still looks over-sharpened to my eye.
I'll be giving this new setting a try.
These guys are suggesting that the very best footage can be obtained by shooting in d-log with settings of minus 3 across the board at 2.7k. This information comes (apparently) via the pro shooters working for DJI. They're suggesting that 4k is not optimum for the sensor.
I've been using Cine at -2,-2,0 @ 4k. Still looks over-sharpened to my eye.
I'll be giving this new setting a try.