Here you go Dale, hope this helps.
I go to just below 400 feet, start a "free" hyperlapse (2 second interval 1080p (will be shooting 4K now with newest update)), and let er rip...
When I feel like I've had enough, bring her down, import.
In Premiere I import as image sequence... AFTER using LrC to rename them on export because Pr doesn't like the filename provided by DJI as far as image sequences go, and I ALWAYS edit my timelapse in LrC and use the Ctrl+C and Ctrl+V command to copy and paste all my settings from one frame to all the frames.
... okay, back to Premiere... I import as image sequence, then timeframe any exposure differences, edit that all up, then check the speed, and finally Warp Stabilizer set to... dang, I cant remember, but the fancy one lol. "Perspective Warp" maybe?
Done.
P.S. - I just started using Resolve but don't feel like I should be giving any "how-to"s yet.