As the title says.
I can only find D-Log to Rec.709 workflows online. The way I always thought about it, was that 'log'-profiles in general store the most dynamic range, even compared to the HLG format.
This video suggests it's possible, but I can't replicate the result in DaVinci. Highlights clip off at 768 (using the same settings suggested under the video).
What is the correct way to do this? Or was (D-)Log never meant to be used for HDR in the first place?
I can only find D-Log to Rec.709 workflows online. The way I always thought about it, was that 'log'-profiles in general store the most dynamic range, even compared to the HLG format.
This video suggests it's possible, but I can't replicate the result in DaVinci. Highlights clip off at 768 (using the same settings suggested under the video).
What is the correct way to do this? Or was (D-)Log never meant to be used for HDR in the first place?