The 1" Sony sensor has been around a while. I don't think it's modified much and it's not a BSI (Back side illuminated) chip. So it's best at base ISO, and can't handle much push.
The Dpreview test of the RX100 IV has a good side by side comparison, and you can easily see that by 400, you are starting to get quite a bit of noise.
Sony Cyber-shot DSC RX100 VI review
The "engines" behind the
P4 Pro and
MP2 are different. As to how much only DJI knows for sure and they are odds are not going to say. There are slight color profiling differences between the
P4 Pro and
MP2, enough that I feel the processing part of each is pretty unique.
The chip in both cameras needs to be exposed to the right, as you have more highlight recover than shadow push even at base ISO. This is easy for stills, as you can bracket, but for video I agree your window of acceptable range is tight and you need to have considerable skills to be able to produce a balanced video. D-Log IMO makes it harder as you tend to see more noise in the D-log video. The
P4 locks you at ISO 500 for d-log, not sure if this is the case on the
MP2 as I have not used D-log on it.
Cameras being what they are, (many seem to forget the 1 2/3 sensor in the MPP and Mavic Air and now
MP2 Zoom is the same sized chip that Apples uses in most of the phones they make, at least the 7, 8 and 10. Low light work with an iPhone? Even the latest iPhone IMO is weakest on low light. The 1" sensor has some advantages, but it's still small and rather limited. Everything I shoot (I mainly work with stills) is bracketed 5 shot dng and usually I can find a series that works.
The
MP2 lens is it's weak link for me as I have owned 3 and still can't find one that has a good even focus across the frame, and since you are locked into 3:2 the maximum lens distortion will be seen (and there is a lot of distortion going one). I realize you are losing resolution in 4:3, but if the balance that is displayed in a 3:2 shot is ruined due to distortions and softness you might as well use a crop when taking the shot.
The other alternative now is an Inspire, with the 24MP Zenmuse. For me cost, weight and NOISE make the Inspire a no go. So I have hopes that the P5 when it's announced will have a cleaner sensor, larger sensor (20MP) is fine if they will use a larger sensor with better light gathering capabilities or use a BSI designed sensor.
I don't hold much hope in DJI adding a firmware update that will allow a better high ISO performance, as that is more than likely baked into the basic camera design.
Still love the
MP2 for it's carrying weight/size and extremely low noise. I have learned ways around the lens issues to allow for images that are pleasing and hold enough sharpness.
Paul C