This is great footage, but I’m going to be ‘that guy’ by proposing that this isn’t actually technically low-light shooting, but it’s a relative term I guess. The fact is that in this film, you actually have half decent and pretty even/flat lighting from ambient and artificial sources. There are two elements to low-light performance IMO: the first is of course ISO, and sensor size is directly linked to how high you can useably go. The second is dynamic range, which in practical terms is how much detail you can see in dark sections when you have bright sections in the frame, which the Mavic is actually pretty bad at. Now I’m not going to suggest that we should expect great low-light performance from such a portable aircraft, but I’d still say the Mavic only does low-light below-average at best. That said, if you understand the limitations and constraints of this sensor and use it accordingly, you can push to the edge of its operating envelope and get some really nice footage like this! Well done.