Yes I still haven't gone through all the corella stuff but I was spellbound by them on the day. The interesting thing is they hang around that spot all year round, I could go back there tomorrow to shoot them. Yes stills and film are two different brain spaces which is why I hate it when a client says they want me to to shoot both "side-by-side". You'll work out video but you should have at least 2 interesting elements or moves in each shot, preferably three. Reveals are often a good move, but just plain going forward is how we relate to flight anyway. Your question is a bit "how long is a piece of string?" as all my films are different, this one for instance has some of my previous M3 stock footage in it but was shot in 3 states and the Northern Territory so travel distances alone would be over 10,000km some of it flying some of it driving. No sharpness issues for me and they are often corrected in post if need be, but only subtly.Hey Chris
I think I like the 2nd edit better, there is just something about that widescreen look! Also seems to flow together more smoothly.
That shot with the birds flying through the sun has a real life of it's own.
You are actually inspiring me your work is really like a slowly moving collection of high quality stills with that extra dimension added. It is quite cool not just seeing the static view but also not have it change so rapidly either... you have me thinking!
We probably don't appreciate it but something like what you have created even though only 4 mins in length will be hugely longer to put together. What do you reckon your total, planning, travel, shooting, editing time would roughly be on that?
There were a few having issues with sharpness on the M3 in the early days, how do you find it? Your video looks great but being a stills guy I really need to be stellar for stills, especially for the price.
Awesome work!
Cheers
Bussty